Capote, Truman. In Cold Blood

Capote, Truman. In Cold Blood Essay Capote, Truman. In Cold Blood Essay. New York: Random House, 1965. 343 pages. Summary. In Cold Blood is the true story of a multiple murder that rocked the small town of Holcomb, Kansas and neighboring communities in 1959. It begins by introducing the reader to an ideal, all-American family, the Clutters Herb (the father), Bonnie (the mother), Nancy (the teenage daughter), and Kenyon (the teenage son). The Clutters were prominent members of their community who gained admiration and respect for their neighborly demeanors. After being introduced to the Clutter family, the reader becomes acquainted with Dick Hickock and Perry Smith. The two were former inmates who met in prison. After their release, the men meet up for what Dick calls Aa perfect emailprotected As it turns out, Dick=s cell mate had worked for the Clutters some years earlier and suggested to Dick that he check into employment at the Clutters= farm because the Clutters were such friendly, kindhearted people. The more Dick learned about the Clutters, the more he considered seeking fast cash as opposed to employment. During the trial in the last chapter of the book, however, Dick admitted that his sexual interest in teenage girls was the most powerful force in his decision to invade the Clutters= home. (Perry stopped him from harming Nancy.) Finally, the killers were identified by Dick=s former cell mate and tracked down in Las Vegas. In the time leading up to their arrest, the reader is offered greater insight into the characters of the two men. Because Perry opposed Dick=s crude behavior and showed compassion for the people Dick intended to harm or slight, we are left to feel a bit of sympathy for him. It becomes tempting to see Dick as the manipulative leader and Perry as the helpless follower. After the suspects were taken into custody, Perry eventually confessed that he had killed Herb, Bonnie, Nancy, and Kenyon tied each of them up, made sure they were comfortable, then shot each of them in the head with a shotgun. In addition, it was Perry who cut Herb=s throat. Though Dick didn=t actually pull the trigger or hold the knife, he shined the flashlight into the faces of the victims as Perry killed them. Both men were found guilty of 4 counts of premeditated murder, and each was sentenced to death. While awaiting their executions, they appealed several times, losing each time, but managing to have their execution dates postponed. They were finally executed (by hanging) in April of 1966. Genre, structure, persona, and style. In Cold Blood is one of the first successful nonfiction novels. Capote takes actual details and events concerning the murders of the Clutter family and weaves them into what sometimes seems like a fictional tale. The manner in which he leads the reader into shock gives the impression that the story has been fabricated with the sole intention of creating such shock. (For example: Throughout the first half of the book, Capote convinces us that Perry is the least evil of the two killers, that he is least capable of inflicting the sort of violence to which the Clutters were subjected. We are given the impression that Dick must be the one who pulled the trigger and cut Herb Clutter=s throat, for he is apparently the boldest, the most brutal, the most heartless of the two. Capote reveals much later in the story, however, that it was actually Perry who killed the four people in the Clutter=s house that night. Such an unexpected twist seems almost fictional, too well-crafted to be true.) We must continue to remind ourselves that the events actually took place that the story is nonfiction, as unbelievable as it may seem at times. READ: Bipolar Disorder EssayCapote tells the story in a way that makes the reader feel like he or she is being told about the characters by a close acquaintance of each individual character. When we aren=t hearing the voices of the characters as they tell their own stories (or being given what seems like their own individual perspectives through narration), we hear, not the voice of an omniscient author, but the voice of a friend who knew the characters well. (ABefore .